Water Works - Design Discussion

As part of the upcoming London Festival of Architecture, Tom Dixon's studio will host a discussion on the influence of water in Britain's architectural landscape. Chaired by Blueprint editor Peter Kelly, the panel will include; Tom Dixon, Gwyn Niles - director of Somerset House, Nick Johnson - director of Urban Splash and Keith Brownlie - director of Wilkinson Eyre.

The discussion will be followed by a dinner cooked by renowned chef Stevie Parle at the Dock Kitchen.

The event will take place on 29 June. For more information visit http://www.lfa2010.org/

Alyn Griffiths
Trends and Events Analyst, Interiors

Kaleidoscope at Mint

The Amsterdam Armoire by Scholten & Baijings for Established and Sons has feet made from hand blown glass and  interior door panels that are printed with still life photographs.

Kaleidoscope seems a fitting description for London design shop Mint's new Summer Collection. Design art hasn't been getting such good press of late but looking at owner Lina Kanafani's latest bright mix of items, which include a £9775 cabinet with handblown glass feet, she isn't afraid to blur the boundaries and show her support for decadent design. 

Left: The Zero-In table by Barber Osgerby for Established and Sons' Estd Collection. Right: Convex Mirror and Two Timer clock both by Sebastian Wrong for Established and Sons' Principal Collection. 

The pieces exhibited are described as a mix of design, art and fashion, with each item loosely fitting into every one of these categories. New designs from Established and Sons' new 'Estd' Collection launched in Milan in April were displayed next to bold artwork depicting lounging female figures by contemporary artist Natasha Law.

Max Lamb at London Design Festival 2010

Max's plaster cast experiments in his North London studio. ©-Max-Lamb

Last month I met with British designer Max Lamb in his North London studio to talk about his latest projects, his participation on WGSN, homebuildlife’s advisory board and to discuss everything from his newly adopted stray cat to his passion for second hand furniture. Another topic we touched upon was his new found love for plaster, which is his material of choice for his latest project; a commission for HSBC Private Bank and London Design Festival. 

Craft in New York

Perch

Craft in New York City is alive and well as proven this weekend by The Renegade Craft Fair and Makers Market in Brooklyn and Queens respectively. The Brooklyn fair was larger in scale and foot traffic, while Queens focused on upscale artisans whose work is so skilled and precise that we are reluctant to file it under the "craft" umbrella.

Platform at The Makers Market

Both fairs yielded great finds in the sweltering heat, but it seems that Renegades excel in ceramics while Makers are masters of wood and glass. Perch , JFish Designs, Clam Lab, Brooklyn Rehab and kg+ab were a few of the stands with charming ceramics in Brooklyn. Platform, Erica Rosenfeld Designs and hivemindesign were among the highlights in wood and glass in Queens.

Tune into WGSN hombuildlife for a full report later this week.

Jean Lin
USA Editor, Interiors

Pulse 2010

Pretty Ugly Tea Cup by Welovekaoru and Labware Lighting by Authentics

Pulse is a trade fair focusing on housewares, fashion and jewellery, scents and beauty products and gifts. There is also a section called Launchpad dedicated to emerging talent and small businesses that provides retailers with an opportunity to source new designs and designers.

This year David Nicholls, Design Editor for the Daily Telegraph, has been asked to select companies to be included in Product GB, a showcase for top British design and manufacturing companies. There will also be a series of seminars including a look at consumer lifestyle trends for Autumn/Winter 2010 with Hannah Malein from Mix and a number of talks from specialists in the online retail industry.

Visit pulse-london.com for registration details and more information.

Alyn Griffiths

Homewood House by Patrick Gwynne

The Homewood ©NTPL Dennis Gilbert

The British National Trust is not a organization that you would usually associate with modern architecture and design, however last weekend I was pleasantly surprised to stumble upon one of the two modernist properties within their extensive portfolio of buildings. Homewood House, a modernist mansion just outside Escher in Surrey was built in 1938 by British architect Patrick Gwynne at the tender age of 24.

ICFF 2010 Highlights

Studio Dunn

When it comes to tradeshows, in this tumultuous time in the industry, the first question asked is always about foot traffic. To me, the question isn't "How was the attendance?" But "How was the design?" Was this a year of invention, inspiration and resourcefulness?

Blu Dot

In the wake of ICFF the reviews are still streaming in. Attendance was good -- almost 23,000 in total, says  show organizers. The design was good too. Not great, but good. American company Blu Dot stood out, touting both quality of design as well as quantity, with a bevy of well received introductions. Rhode Island-based newcomers Studio Dunn presented a well edited collection of taper legged wood pieces. Both won Editors Awards this year.

ABC

Another highlight took place outside of the show at downtown retail giant, ABC Carpet & Home. With an impossibly full schedule, ABC stepped up its Design Week activities to include everything from a shop launch at the new Conran Shop to an inspirational talk from Deepak Chopra. Israeli artist Tal R contributed a patchwork reinvention of Arne Jacobsen's iconic Egg Chair, which is scattered throughout the store and can be seen through the end of May.

Jean Lin
USA Editor, Interiors

Window Displays

Harvey Nichols Edinburgh, April 2010

A great window display turns heads, tells a story and presents an exciting vision combining products with props. Some retailers have the resources to create outlandish tableau while others opt for concise, realistic presentations incorporating key products. Whatever form they take, the best displays excite and entice, communicating aspects of the brand in an emotive and inspiring way.

Collect 2010

Ghost by Kim Simonsson

This was the seventh year of the Crafts Councilʼs annual fair showing contemporary crafts from across the UK and around the world. The event took place at the Saatchi Gallery in west London and filled its ten rooms with decorative objects by more than 400 makers. Since its launch Collect has managed to demonstrate that there is more to craft than the established perception of homely products in traditional materials such as wood, glass, metal or ceramic by showcasing a wide variety of innovative ideas and techniques.

Hidden Brimfield Treasures

I am back from two days at the Brimfield Antique and Collectibles Market and left pondering the American take on the importance of aesthetics. The wares on display were as beautiful and interesting as their stage was unsightly.

Set up within mustard colored circus tents, everything from porcelain tea sets to hand-stitched quilts had a sickly yellow glow. Open air booths were no better, as sale items shared shelf space with half finished juice bottles and the booth owner's lunch scraps. No matter how spectacular a certain find was -- I bought an amazing pair of leather loafers for $20 -- it was surely dampened behind a veil of clutter and ugly, which even the keenest of eyes could have trouble seeing past.

This is, however a part of the lure and charm of Brimfield -- come to Massachusetts and find hidden treasures in a heap of junk -- a sentiment that can be applied to any vintage market in middle America. Antiques in the US are just as treasured and beautiful as anywhere in the world, but the aesthetics and attention to detail at the vintage markets are sometimes as hidden as the treasures themselves.

Jean Lin
USA Editor, Interiors

ICFF 2010

New York is rounding the corner on its design moment in the spotlight, New York Design Week, which revolves around the International Contemporary Furniture Fair from May 15-18. It is the one week in New York when design is celebrated city-wide. Daytime show goers trawl the streets of SoHo, Meatpacking District and Great Jones Street for product launches they missed in Milan; exhibit openings; and just plain parties. Besides the show, here are some of the events we will be dropping by.

Fabrica: Glass Sausage

Vitra / Creation Baumann
Friday, May 14, 5 - 8 pm
29 9th Avenue
Vitra and Création Baumann join forces to present three events to showcase their newest designs. The collaboration draws on the companies' Swiss origins and the design aesthetic of clarity of composition, functionality and clean, structured lines.

Fornasetti at Barneys New York

Friday, May 14, 6 - 8 pm

A presentation of surrealist couture pieces by Liborio Capizzi and a new collection of limited edition vases.

ICFF Opening Party at MoMA 

Saturday, May 15, 7 - 9 pm

The opening party is where the design elite go the first official day of the show. It's great for people watching.

Moss /Maharam /Moroso /Flos
Saturday, May 15, 7 - 9 pm
146 Greene Street
See Patricia Urquiola's new Rift collection along with new designs by Doshi Levien, Philippe Bestenhelder and Rajiv Saini.

Fabrica
May 15-18, 10 am - 8 pm
57 Great Jones Street
Glass Sausage Installation by Sam Baron, combining glamour, handicraft, representation, allegory, fragility, rusticity and humor.

Jean Lin
USA Editor, Interiors

Upcycling and Recycling in Milan

Saved by Droog, images by Stefanie Gratz via Droog

In the weeks building up to the Milan furniture fair there was much talk in the press of the problems of 'overdesign' and questions such as 'does the world really need another chair?' The seemingly endless exhibition halls of the Fiera Milano cover a staggering 345,000 sq m all crammed to the brim with new design. Each stand is constructed within 3 days, is in use for 6 days and then ripped apart and thrown into a skip in just one day. So inevitably, the world's largest furniture fair is synonymous with the creation of an awful lot of waste, something that doesn't sit that comfortably with the current reflective mood of the industry.

Jens Praet (left) and Laborartorio Contraprogetto

With this in mind, manufacturers and designers have increasingly favoured anything that makes use of reused objects, derelict spaces and found materials. We saw this trend for recycling and upcycling everywhere at the fair this year. One of the most interesting and prominent examples was by Dutch brand Droog who hosted an exhibition entitled ‘Saved by Droog’; a collection of 5135 items saved from liquidation sales that had been revived and given a new lease of life through design. Droog invited 14 designers to approach the items as a raw material ready for creative re-interpretation. The results ranged from a roll on scent made from an old salt shaker and a glass ball to a striking collection of 100 containers that had been coated in a bright blue flock. All of the items were exhibited and sold throughout the week.

Elsewhere the trend was demonstrated through the use of recycled materials with emphasis on process. Studio Jens Praet mixed shredded waste paper with resin to produce a collection of hand cast tables and stools whilst Italian design studio Laboratorio Controprogetto used polished strips of reclaimed wood to create a series of beautifully crafted tables and chairs.

The trend even extended to the choice of exhibition space with Ventura Lambrate Design Distric, a former industrial district to the east of the city centre, making it’s debut as a design district. Initiated by a Dutch event company named ‘Organization in Design’, Lambrate promised to bring the focus back to design content rather than commercially driven PR stunts. The district played host to the RCA and Made in Arnhem who were both situated in old factories while Autofficina, a group of six young independent Dutch designers, took over a garage.

Ali Morris